5.0 国语 · 2025 · 大陆 · 大陆综艺
尔冬升,郝蕾,李诚儒,刘涛,吴镇宇,曾志伟,王晶,向华强,杨天真,陈志朋,王星,丁真珍珠,余宇涵,傅首尔,洪尧,王浩信,王紫璇,柯淳,何健麒,张丹峰,颜安,何九华,钟丽丽,刘奕畅,许绍洋,刘玥霏,李依晓,于小彤,哈妮克孜,李沐宸
导 演李东皓 编 剧许声亮 主 演李乾铭、王艳宾、崔麟 片 种故事片 类 型剧情 出品单位深圳市奥琪文体策划有限公司北京分公司 长 度86分钟 出品年代2010 剧情简介 张铁翼得知神母峰有宝藏的传说，曲家堡和附近的柳家庄为了宝藏传说械斗不断。张铁翼调查后得知实情：丁小壮的父亲是乐善好施的古董商人，被曲柳两家的歹人杀害，但临终嘱他不可复仇。丁长大后仍然常散财济贫，歹人又来争夺，他索性继续散财，引诱两家自相残杀。张铁翼说服他放弃复仇，但两家利令智昏，继续争斗，张铁翼带着丁来到现场及时阻止了悲剧。
5.0 汉语普通话 · 2025 · 中国大陆 · 连续剧
白鹿,曾舜晞,何瑞贤,陈鑫海,赵弈钦,周洁琼,梁永棋,郑凯,赵昭仪,洪尧,孙晶晶,董春辉,潘宥诚,孙政,胡耘豪,张籽沐,金绪泽,罗泽楷,弭金,张垒,袁大宝,王亭文,于荣光,黄奕,连凯,张百乔,陈鹤一,赵晴,陈德容,左小青,信,林依轮,安悦溪,于朦胧,陈宥维,黄日莹,李倩,闻雨,李千逸,汪汐潮,杨谨睿,吴海龙,姚弛,张天启,郭昊钧
利兹（莉莉·科林斯 Lily Collins 饰）是一名单亲妈妈，和年幼的女儿过着相依为命的生活，日子并不容易。一次偶然中，利兹邂逅了名为泰德（扎克·埃夫隆 Zac Efron 饰）的男子，泰德自称是法律系的学生，并且对利兹表现出了浓厚的兴趣。随着时间的推移，利兹和泰德渐渐的走到了一起，泰德的温柔和体恤让利兹重新燃起了对未来生活的希望。 然而，渐渐的，利兹在泰德的身上发现了他不为人知的一面。凡是泰德经过的州省，屡屡传来少女失踪案和谋杀案，虽然泰德坚称这一切和他没有任何的关系，但他还是成为了FBI的头号通缉犯。在法庭上，泰德据理力争为自己辩护，他的言之凿凿让利兹陷入了混乱之中。
5.0 汉语普通话 / 粤语 · 2025 · 中国大陆 · 综艺
尔冬升,郝蕾,李诚儒,刘涛,吴镇宇,曾志伟,王晶,向华强,杨天真,陈志朋,王星,丁真珍珠,余宇涵,傅首尔,洪尧,王浩信,王紫璇,柯淳,何健麒,张丹峰,颜安,何九华,钟丽丽,刘奕畅,许绍洋,刘玥霏,李依晓,于小彤,哈妮克孜,李沐宸
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor